Editor-in-Chief: Steven Wittenberg Gordon. Art Editor: Jason Artemus Gordon. Associate Editor: James Frederick William Rowe. Assistant Editor: Terri Lynn Cummings. Featuring the poetry of: Ross Balcom, Sylvia Cavanaugh, Richard Fenwick, Gene Hodge, John C. Mannone, Karla Linn Merrifield, Vivian Finley Nida, John Reinhart, Howard Stein, Charles A. Swanson, Alessio Zanelli, & other fine poets.
Announcing the Winner of the 2017 Songs of Eretz Poetry Award Contest
Songs of Eretz
Poetry Review is pleased to announce that Guest Judge Former Kansas Poet Laureate Caryn
Mirriam-Goldberg, PhD has declared Ron Wallace the winner of the 2017 Songs of
Eretz Poetry Award Contest for his poem “The Coast of Oklahoma”. Wallace is an adjunct professor of
English at Southeastern Oklahoma State University. He is the author of seven
volumes of poetry published by TJMF Publishing of Clarksville, Indiana and a
three-time winner of The Oklahoma Writer’s Federation Best Book of Poetry Award.
In addition to several appearances in Songs
of Eretz Poetry Reviewhttp://eretzsongs.blogspot.com/search?q=ron+Wallace,
his work has been featured in: Oklahoma Today, The Long Islander, Concho
River Review, cybersoleil journal, Cobalt, Red Earth Review, Dragon Poets
Review, Gris-Gris, Oklahoma Poems and Their Poets, and a number of other
magazines and anthologies. Copies of his books may be purchased at RonWallacePoetry.com.
The Editor of Songs of Eretz Poetry Review selected
several finalists out of the hundreds of poems entered in the contest after
providing personal feedback to every poet on every poem.Dr. Mirriam-Goldberg then had the
unenviable task of choosing the winner. She made the following comments about the contest in general
and about the winner specifically:
Caryn Mirriam-Goldberg, PhD
The collection of finalists for the 2017
Songs of Eretz Poetry Award Contest encompassed great imagination and
originality.My process of judging
the poems entailed reading each repeatedly, often four or five times, and out
loud at least twice to hear each poem as well as see it. I found choosing one
winner difficult because of the high quality and fresh approach of these poems,
but eventually, I landed on one particular poem--“The Coast of Oklahoma”.
poem begins with a title it's hard to forget because of its originality and
truth (the kind of truth that trumps fact). The images here are often both
simple and breathtaking, such as August described as “blue eyes beneath a
tilted brim” and later “sometimes, only a tracker can read/ those marks.”
There's also a lot in this poem swirling up from below the surface when it
comes to the relationship of the poet to his/her father, and the climate of the
old (and still current in some corners) west and the weather passing through.
At the same time, this poem speaks to how we remember and craft memories that
craft us as well as future callings and yearnings.
I read this poem
repeatedly to hear its shining and subtle music, and the ending gently takes
that swirling music into a quiet rain (with so much other weather under the
surface). The beginning western window and ending view of leaves swirling away
before the rain altogether bookend stories within stories, all precisely evoked
through the detailed, yet concise images.The seasonal shifts from August to September, and generational shifts,
from father to adult child, infuse this poem with enduring meaning that's grounded
enough in original language to speak across divides.
I also chose “The Coast
of Oklahoma” as the winner because of its hard-won universality. Even before I
read the poet's notes, I could sense how this poem came out of years of deep
engagement with all its elements and with the poet's own life.
without further ado, Songs of Eretz Poetry Review proudly presents the
winner of the 2017 Songs of Eretz Poetry Award Contest and the one thousand
dollar cash prize:
The Coast of Oklahoma
Outside my western window,
a grey day presses against the pane,
remnant of a fading hurricane
to die on the coast of Oklahoma.
Scanning the receding mist,
I hold a lawman’s star in my left hand
a remnant of hard arms and a good man’s heart.
Your cowboy hat hangs
under rifles on a red cedar gun rack
as if you might
and put it on.
But August has slipped away while I wasn’t looking,
blue eyes beneath a tilted brim.
So, I search the ground below the weeping glass,
seeking the scuffs
of your well-worn heels on September dirt.
Where fathers walk
sign is always
and sometimes, only a tracker can read
I need that trail now,
for without a path to follow,
life can be a pursuit of pieces, scattered in a storm
a whisper of dry
before the rain begins to fall.
Poet’s Notes:My father was born in 1906 before Oklahoma was even a state.
He was, along with my mother, the guiding force in my life. He was a cowboy on
major Texas and Oklahoma ranches as a teenager and young man. He married my mother
in 1926; they endured the Depression, went to California to build ships when he
was rejected from enlistment after Pearl Harbor, and returned to Oklahoma after
the war, where he became a police officer and fathered me, the youngest of five
children. He was an extraordinarily good, strong and kind man who, again along
with my mother, instilled ideas of right and wrong, fair play, and justice
while stressing higher education and self-growth. I saw him as larger than
life, a force of nature much like the hurricane that had flown inland to
Oklahoma to fade away as a thunderstorm that I mention in this poem.
This work was started as a tribute to my father, but I found myself,
a decade after his passing, looking out my window at the remnants of the dying
hurricane and looking around at the things I had left to remind me of who I
am--his hat, his guns, his captain's badge--and I thought of how I was growing
older as he had done and how much of a pathway he had paved for me. I knew then
how fortunate I was and was saddened that everyone was not given such a light
to follow. The result over a couple of years’ work and revision was the current
incarnation of this poem I have here.
Editor’s Note: This is a regional
poem, but the Cowboy is the soul of the American spirit, so the piece has a
universal quality as well. I found it interesting to think of Oklahoma of
having a coast, which brought to mind seas of grass for me. The yearning
to have one's father for guidance after he has passed is well expressed and
should resonate with many readers, sadly myself included.